Scholarships for university of phoenix : University of phoenix textbooks
Scholarships For University Of Phoenix
- Academic study or achievement; learning of a high level
- (scholarship) eruditeness: profound scholarly knowledge
- (scholarship) financial aid provided to a student on the basis of academic merit
- A scholarship is an award of financial aid for a student to further education. Scholarships are awarded on various criteria usually reflecting the values and purposes of the donor or founder of the award.
- A grant or payment made to support a student’s education, awarded on the basis of academic or other achievement
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- The grounds and buildings of such an institution
- The members of this collectively
- the body of faculty and students at a university
- a large and diverse institution of higher learning created to educate for life and for a profession and to grant degrees
- An educational institution designed for instruction, examination, or both, of students in many branches of advanced learning, conferring degrees in various faculties, and often embodying colleges and similar institutions
- establishment where a seat of higher learning is housed, including administrative and living quarters as well as facilities for research and teaching
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- (in classical mythology) A unique bird that lived for five or six centuries in the Arabian desert, after this time burning itself on a funeral pyre and rising from the ashes with renewed youth to live through another cycle
- A person or thing regarded as uniquely remarkable in some respect
- the state capital and largest city located in south central Arizona; situated in a former desert that has become a prosperous agricultural area thanks to irrigation
- a large monocotyledonous genus of pinnate-leaved palms found in Asia and Africa
- a legendary Arabian bird said to periodically burn itself to death and emerge from the ashes as a new phoenix; according to most versions only one phoenix lived at a time and it renewed itself every 500 years
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scholarships for university of phoenix – The Ultimate
Jack Davis, 1940-2007
Jack Davis, 1940-2007
Car crash claims legendary facilitator of underground arts
By John Law
Jack Davis was a relentless and often unheralded advocate for
underfunded, outflanked, and ignored artists, community groups, social
movements, and others shunted aside by mainstream venues and the art
establishment.
Davis died Sept. 23 at Henry Mayo Newhall Memorial Hospital in
Valencia from injuries sustained in a car accident. He was born Nov. 16,
1940, in Phoenix, Ariz., and came to California to attend the University
of Santa Clara and San Francisco State University in the late 1950s and
’60s. He studied theater arts in Northern California, then was one of
the directors and founding actors of the South Coast Repertory in Orange
County. He married Judith Watson and returned to San Francisco in 1968.
Well known in the underground art world that he helped pioneer, Davis
was a pivotal figure in the growth and public awareness of hundreds of
uniquely San Francisco creative projects. For nearly 20 years he was
director of the SomArts Cultural Center, which provides classrooms and
work space for community-based programs and theater and gallery access
to nascent and established artists.
But his contributions went far beyond SomArts. He and Rene Yanez
helped found CELLspace, a unique community and cultural center in the
Mission. Davis was an early supporter of Burning Man and hosted its
parties, meetings, and large-scale events at SomArts. He also provided
technical support and counsel for the Day of the Dead and other San
Francisco street events.
Under his leadership SomArts hosted myriad edgy and unconventional
troupes and shows. Davis hosted early events by Survival Research
Laboratories, which essentially created the machine-and-fire art scene
that is now renowned around the world. Davis would often need to run
interference with the Fire Department and other authorities who were
concerned about the SRL’s seemingly dangerous experimentation.
Davis assisted in the evolution of that scene at every step, recently
providing support services so the Flaming Lotus Girls could bring their
massive Serpent Mother project to the "Robodock" festival in
Amsterdam last month. Other SomArts projects Davis facilitated include
the offbeat Naughty Santa’s Black Market, the Queer Arts Festival,
Balinese shadow theater, DadaFest, the SF Electronic Music Festival, and
the SF Indie Fest.
Davis also helped win national recognition for the alt-art movement
by working with Eric Val Reuther, a panelist for and consultant to the
National Endowment for the Arts, to bring many worthwhile (and
underfunded) groups to the attention of the NEA. Davis also cofounded
the Neighborhood Arts Program National Organizing Committee and helped
set up its West Coast office in San Francisco.
Among the community-based groups Davis helped establish were the
Bayview Opera House, the Native American Cultural Center, the Mission
Cultural Center, and the Western Addition Cultural Center. He helped
create a theater at Lone Mountain College, was director of Intersection
for the Arts, and organized the San Francisco Blues Festival with Tom
Mazzolini. In the summer Davis and his son Hayden and their friend Ernie
Rivera built stages and performance areas for street fairs and other
events.
As director of Intersection for the Arts, Davis hosted many unknown
performers who went on to acclaim in the larger world of theater,
including Diane di Prima, Whoopi Goldberg, Bob Carroll, Ntozake Shange,
Bill Irwin, Paul Dresher, and Rinde Eckert. Other groups Davis supported
include the SF Mime Troupe, the Farm, the Pickle Family Circus, Make a
Circus, and Dance Mission. Davis and George Coates were cofounders in
the 1980s of the San Francisco International Theater Festival, which
brought the early work of Spaulding Grey and others to the public’s
attention.
"Jack was unflappable — nothing threw him," Coates once told me.
Davis lived on a houseboat — one of three he built over the years —
with his daughter, Sarah, and his son-in-law, Shawn Lytle, in Mission
Creek in San Francisco’s China Basin. As the longtime president of the
Mission Creek Harbor Association, Davis fought developers and
bureaucrats in a never-ending battle for the right of an organic,
human-scale community to simply exist in this city. Many a weekend
afternoon Davis could be found tinkering away on his or perhaps one of
his neighbors’ boats. Due in great part to Davis’s efforts, Mission
Creek remains one of San Francisco’s garden spots, even while surrounded
by new development.
Davis was seen as a Buddha-like figure in the often-fractious world
of community arts and politics. He was a bear of a man who exuded a
preternatural calm. Composer, producer, and photographer Doug McKechnie
noted once after a particularly rough MCHA meeting, "I was in awe of his
ability to get things done with such grace, style, and simpl
Doug Wicks makes a pole vault attempt at the Mount SAC Relays in 1991
BY JEFF EVANS, Californian staff writer
jevans@bakersfield.com | Wednesday, Feb 11 2009 10:53 PM
Last Updated: Thursday, Feb 12 2009 8:40 AM
In the history of track and field in Kern County, there has never been a better pole vaulter than Doug Wicks.
A South High graduate, Wicks set a national junior college pole vault record at Bakersfield College, then went on to USC where he was a national indoor runner-up.
Wicks eventually competed in the Olympic Trials and various international meets. His personal best of 18 feet, 51?2 inches occurred in 1991.
Wicks, 45, will be inducted into the Bob Elias Kern County Sports Hall of Fame on Feb. 19 at the annual banquet held at the Marriott on Truxtun Avenue.
Joining Wicks will be three other inductees: longtime local official Clint Osthimer, former standout hurdler and longtime track coach Jesse Bradford and the late Mike Quarry, who was an outstanding professional boxer.
Tickets are $35 each and are available at the Rabobank Arena box office, the Bakersfield Racquet Club and Raymond’s Trophy Shop, 300 Chester Ave.
Wicks didn’t begin pole vaulting until his freshman year at South.
"My older brother, Bob, was pole vaulting at South High and I thought it looked cool," Wicks said.
The first time he tried it, the bar was set at 6 or 7 feet at a high jump pit, Wicks said.
In his junior year, Wicks finished fifth in the state. He won it his senior year at 15-2.
Recruited to Cal Poly, Wicks spent one year there but didn’t compete because of an injury. The coach that recruited him had left Cal Poly for Kansas, and Wicks wanted to follow him.
"But I could not transfer to another university because I was on scholarship. The only way around it was to to to a JC," Wicks said.
So he enrolled at Bakersfield College and wound up winning two state titles, including a 17-7 for the national junior college record at the time.
"He was a great athlete," said Bob Covey, Wicks’ coach at BC. "He could high jump 6-10. And he’d work hard. We had gymnastics equipment at the time, and in the fall he’d work out in gymnastics and run."
Wicks set the JC record during the Southern California Preliminaries his sophomore year.
He won the state title that year in a state meet finals record of 17-6, but was fortunate to reach the state finals.
Strong winds during the SoCal Finals led to Wicks failing to clear any height.
"I’m over the bar by 3 feet but kept getting blown into the bar," Wick said. "It was devastation. My season was over."
But he got lucky. State rules require six entrants from Southern California, and an injury sidelined one of the qualifiers, leaving only five entrants.
A special jump-off was held for the final spot on the Wednesday before the state meet.
"I won that, and then I won the Saturday meet," Wick said. "I was very lucky to be in the state meet."
At USC, Wicks finished second at the indoor nationals to Oklahoma State’s Joe Dial, the eventual American record-holder who is now the head coach at Oral Roberts. Injuries derailed Wicks’ outdoor seasons his junior and senior years.
After concluding his collegiate career in 1986, Wicks competed at U.S. and international meets until retiring in 1992. He qualified for the Olympic Trials in 1988 and 1992.
He’d often compete in the same meets as the Soviet Union’s Sergey Bubka, who still holds the world record with a 20-13?4. Bubka broke the world record 35 times in his career.
"We’d try for 19 feet and he’s jumping 20," Wicks said. "We’d already be done and he hadn’t even started jumping yet."
Wicks knew it was time to retire in 1992.
"I could’ve kept going," he said. "In ’92 I had jumped 18-5. I was in the top 10 in the U.S. but I wasn’t progressing. You needed to be at 18-8, 19-0 to have a chance at the Olympics."
Now living in Phoenix and working for an Internet-based company that focuses on fraud protection, Wicks said he enjoyed life on the track competition circuit.
"It was a great career," he said. "I was fortunate. I got to travel all over the world."
scholarships for university of phoenix
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